Lojze Lebič

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Photo of Lojze Lebič. He appears to be discussing something and is mid-gesture
Lojze Lebič

Lojze Lebič (born 23 August 1934) is a Slovenian composer and conductor of choral and instrumental music.

Life[edit]

Lebič was born on 23 August 1934 in Prevalje, in the Carinthia region of Slovenia (then part of Yugoslavia). He attended the University of Ljubljana for a bachelor's degree in archaeology and the Academy of Music in Ljubljana, where he studied with composition with Marijan Kozina and conducting with Danilo Švara.[1]

Music[edit]

Lebič's early style was fairly traditional, but his work from after 1965 demonstrates the influence of the European avant-garde.[2] The opening of Slovenia to foreign travel in the 1950s and 60s allowed for greater musical and cultural exchange with the rest of Yugoslavia and Europe, encouraging the development of a Slovenian avant garde. Lebič's 1965 works Meditacije za dva for viola and cello and the cantata Požgana trava are examples of his use of new melodic and vocal techniques.[3]

Works[edit]

  • Per Archi (Za Golala) for string orchestra (2009)
  • Invocation/ à Primož Ramovš (clarinet and piano), commissioned by the University of Wisconsin-Milwaukee Libraries
  • Meditacije za dva (Meditations for Two) for viola and cello (1965, revised 1972)
  • Rubato per viola for viola solo (1989)
  • Hvalnica svetu (In Praise of the World) for double choir, piano four-hands and percussion (1988)

Awards[edit]

In 1967, he was awarded the Prešeren Award for conducting.[4]

References[edit]

  1. ^ Hostnik, Tomaž (2016). Lojze Lebič One of the greatest overlooked composers of our time? (1. Auflage ed.). Saarbrücken. ISBN 978-3-639-64336-7. OCLC 953292848.{{cite book}}: CS1 maint: location missing publisher (link)
  2. ^ O'Loughlin, Niall (1983-12-01). "The Music of Lojze Lebič". Musicological Annual. 19 (1): 71–81. doi:10.4312/mz.19.1.71-81. ISSN 2350-4242.
  3. ^ O'Loughlin, Niall (2004). "Slovenian Music in its Central European Context: the 20th-century experience". Musicological Annual. 40 (1–2): 267–276. doi:10.4312/mz.40.1-2.267-276. ISSN 2350-4242.
  4. ^ Lebic, Hanka (2000). Lojze Lebic: Katalog del/ Catalogue of Works.

Further reading[edit]

  • Barbo, Matjaz. “Music as a Language of Globalisation? The Metalinguistic Context of Lebic’s Music.” Muzikološki zbornik 43, no. 1 (2007): 187–192.
  • Lojze Lebič (1993) From generation to generation the spirit seeks the way: Slovene musical Creativity in the past and today, Nationalities Papers, 21:1, 145-155, DOI: 10.1080/00905999308408264
  • Pompe, Gregor. “Sacred Rituality and Mysticism in the Service of the Awakening of National Identity. Baltic-Balkan Parallels in the Works of B. Kutavicius, L. Lebic and V. Tormis.” Muzikološki zbornik 50, no. 2 (2014): 111–125.